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Old Rule New Amnesia: A 6 Month Old Takedown Rule Rebranded as “Breaking News”

August 6th, Breaking News! The Ministry of Electronics and Information Technology (MeitY) has introduced stricter compliance rules for social media platforms, significantly reducing the time available to remove “unlawful” content from 36 hours to 3 hours of receiving a government or court notice, and from 24 hours to 2 hours for sensitive content! (here, here, here) But wait, it seems like a déjà vu! Didn’t the February 2026 amendments to the The Information Technology (Intermediary Guidelines and Digital Media Ethics Code) […]

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SpicyIP Weekly Review (27 July-2 August)

Stepping into August with posts on the DHC’s order in ANI v. OpenAI, Interdigital v Transsion, the Ribociclib saga, and digital archive. This and much more in this week’s SpicyIP Weekly Review. Anything we are missing out on? Drop a comment and let us know. Highlights of the Week ANI v. OpenAI: User Rights, Fair Dealing, and the Future of AI in Indian Copyright Law (Part I) The Delhi High Court’s much-awaited interim order in ANI v. OpenAI addresses several

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Part II: Small Fines, Big Platforms: The CCPA on PhysicsWallah, McAfee, and the Cost of Getting Caught

Part I of the post examined the CCPA’s orders against PhysicsWallah and McAfee, and argued that neither the misleading-advertisement nor the forced-action findings in McAfee sit comfortably within their own definitions. In Part II, Anjali Tripathi and Kartik Sharma turn to the deeper problem those findings point at. Anjali is a lawyer, writer and artist with an interdisciplinary interest in critical approaches to law, visual storytelling, and design. She writes on technology, IP and culture. Kartik is a law graduate

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Part I: Small Fines, Big Platforms: The CCPA on PhysicsWallah, McAfee, and the Cost of Getting Caught

The Central Consumer Protection Authority (CCPA) has been going after dark patterns for some time now. In this two-part post, Anjali Tripathi and Kartik Sharma analyse the CCPA orders passed against PhysicsWallah and McAfee. Part II of the post goes beyond these orders and looks at the deeper implications for design interfaces and dark pattern regulation. Anjali Tripathi is a lawyer, writer and artist with an interdisciplinary interest in critical approaches to law, visual storytelling, and design. She writes on

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Training ChatGPT on Copyrighted Works Prima Facie Protected Under Indian Copyright Act: Delhi High Court Refuses Interim Injunction Against OpenAI

ChatGPT is in the clear says Delhi High Court! Shivam Kaushik brings us a quick update on this order, pronounced just a few minutes ago by Justice Amit Bansal of the Delhi High Court. Shivam is a lawyer based in Delhi. He holds a masters degree in IP and Tech laws from the National University of Singapore. [Editor’s note: The order, which was not available at the time of writing, is now available here] In a highly anticipated development for

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Part II: From the Archives: When Oxford Sent a Letter to Amend the Indian Copyright Law in 1901

Salam, In the previous post, I discussed the Oxford letter, which was itself merely a response to an increasingly contentious issue: translation. Here, I turn to the broader context of nineteenth-century Indian copyright law and revisit two landmark decisions that left British publishers deeply dissatisfied, prompting a letter in response. Translation as Troublemaker for Publishers Now comes the main thing: translation. Printing arguably entered India in the sixteenth century, on September 6, 1556, by something of a happy accident, when

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Oxford, Clarendon Building

Part I: From the Archives: When Oxford Sent a Letter to Amend the Indian Copyright Law in 1901 

Namaskar, It is easy—and intuitive too—to suppose that Indian copyright law was nothing but British law imposed upon India. Plausible though the assumption may appear, the reality was more meandering and infinitely more intriguing. The deeper one delves, the clearer it becomes how confounding the history of Indian copyright is and how much of its buried past still awaits excavation. In this post, I untangle one of its many threads. A few months ago, while rummaging through the archives at

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A Brief History of the Official Language(s) of International Copyright Law

Bonjour. Today, I want to talk about something French. No, not wine. Not even cheese. But the French language, and my hobbyhorse: international copyright law. Here’s the story of why the beating heart of the Berne Convention still pulsates in French. As Article 37 of the Convention clarifies, while the Convention is drafted in both French and English, in the event of divergence, the French text prevails. Every time I glide through the Berne archives in French, I’m reminded: this

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SpicyIP Weekly Review (May 18 – May 24)

Entering the last week of May with a post tracing Indian copyright doctrine and what exactly does it protect. Post on the Delhi HC’s ruling in Bansal v. Philips, a consequential SEP/FRAND decision. And a post on the expanding and increasingly amorphous scope of personality rights in India, most recently in the case of Aniruddhacharya Ji Maharaj. Case summaries and IP developments from the country and the globe and much more in this week’s SpicyIP Weekly Review. Anything we are

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A Personality Too Spiritual for Satire?

I had underestimated how much of the personality rights space in India is one big, vague, wild west! The personality rights order passed by the Delhi High Court in favour of the plaintiff, Anil Kumar Tiwari (aka Aniruddhacharya Ji Maharaj) shows what happens when an already confusing jurisprudence continues to develop without guardrails: IP law protections are claimed for ineligible content; social commentary based on meme-culture collides with ambiguous private rights; and, doctrinal confusion continues to blur the scope of

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