Evading the mandatory royalty sharing provisions of the copyright amendments through a choice of foreign law: Is it possible?
Eight months after the Copyright (Amendment) Act, 2012 sailed through Parliament, I’m told that at least some composers & lyricists are involved in intense negotiations with producers, with both sides trying to interpret to their advantage the new amendments inserted into the Copyright Act. The most contentious provisions are the provisos in Section 18 and Section 19 which mandatorily requires that all royalties earned from exploitation of the music and lyrics as a part of a cinematograph film be shared […]






