Copyright

Indian Copyright Amendments Procure Cabinet Approval


The government issued a press release announcing that the much awaited and controversial copyright amendment bill has now cleared “cabinet”, a group of senior ministers that represent the highest decision making body of the government. Unfortunately, since the winter session of Parliament is over and done with, the Bill is only likely to be introduced in the budget session of Parliament in February 2010.

As many of you may know, the amendment process began around the year 2005 and the present Bill draft is one that has come about after what the government claims is a fairly elaborate consultative process. This is true in some particulars, though not quite true in others. Notably, the present version of the Bill includes substantive copyright provisions that were introduced for the first time in 2009 (pertaining to the music and film industry) and did not form part of the earlier 2005 draft that was subject to public consultations.

We’ll bring you a detailed review of the Bill once we have access to it. Unfortunately, the Bill will only be made “public”, only after it has been introduced in Parliament. We have access to two versions of the Bill; one version that was introduced in 2005 and made available to the public and the other that was doing the rounds as late as September 2009. The bill that has been introduced in Parliament however, as we understand it, is different from the September 2009 version.

In particular, this blog has been tracking the provision relating enabling access to the disabled and we’ll bring you a detailed note on this soon. In particular, the very first proposal in our newly introduced collaborative law making platform (CLAM) revolves around what an optimal provision to enable access to the disabled might look like.

We’ll also review the problematic proposal to penalise anti circumvention measures for the first time.

Here is the detailed government press release:

“The Union Cabinet today approved the proposal to introduce a Bill to amend the Copyright Act, 1957. The Ministry of Human Resource Development has proposed the amendments in order to gain clarity, remove operational difficulties and to address the newer issues that have emerged in the context of digital technology and the internet.

Amendments are being made to bring the Act in conformity with the World Intellectual Property Organisation (WIPO) Internet Treaties, namely WIPO Copyright Treaty (WCT) and WIPO Performances and Phonograms Treaty (WPPT) which have set the international standards in these spheres. The WCT deals with the protection for the authors of literary and artistic works such as writings, computer programmes, original databases, musical works, audiovisual works, works of fine art and photographs. The WPPT protects certain “related rights” which are the rights of the performers and producers of phonograms. While India has not yet signed the above two treaties it is necessary to amend domestic legislation to extend the copyright protection in the digital environment.

Amendments related to bring the Act in conformity with WCT and WPPT:

i) Through a new section in the Act, it is proposed to ensure protection to the Right holders against circumvention of effective technological measures applied for purpose of protection of his rights like breaking of passwords etc. while maintaining an appropriate balance between the interests of the right holders on the one hand and of Technology innovators, Researchers and Educational Institutions on the other.

ii) The existing Performers’ Rights are proposed to be further enhanced by introducing a new section to provide exclusive rights compatible with WPPT.

iii) “The Moral Rights of Performers” are proposed to be introduced in a new section.

iv) Amendments have been proposed to protect the interests of researchers, students and educational institutions so as to ensure that Technological Measures do not act as a barrier for further development of the technology. These amendments also address the issue of access to information in the digital context and the liability of Internet service providers.

v) The period of copyright for photographers is proposed to be enhanced to “Life plus sixty years” instead of only sixty years as at present.

Amendment to protect the Music and Film Industry and address its concerns :

i) Statutory licence for version recordings and authorship to ensure that while making a sound recording of any literary, dramatic or musical work the interest of the copyright holder is duly protected.

ii) Term of copyright for cinematograph films has been extended by making the Producers and Principal director as joint authors.

iii) A copyright term of 70 years to Principal Director which automatically extends the copyright term for the Producers for another 10 years provided he enters into an agreement with the Director;

Amendments to address the concerns of the physically challenged:

The physically challenged need access to copyright material in specialized formats, e.g. Braille text, talking text, electronic text, large print etc. for the visually challenged and sign language for the aurally challenged. Currently the cost of production of material in such formats is very high. With additional requirement of royalty payments the price of such material to the target groups would be even higher.

i) A clause is proposed to be introduced as a fair deal clause to allow the production of copies of copyright material in formats specially designed for the physically challenged.

ii) A separate compulsory licensing provision has been proposed to allow for publication of copyright works in formats other than specifically suited for the physically challenged.

Amendments for rights to authors:

i) Amendment is proposed to give independent rights to authors of literary and musical works in cinematograph films, which were hitherto denied and wrongfully exploited, by the producers and music companies.

ii) An amendment is proposed to ensure that the authors retain their right to receive royalties and the benefits enjoyed through the copyright societies.

iii) Another amendment ensures that the authors of the works, particularly songs included in the cinematograph film or sound recordings, receive royalty for the commercial exploitation of such work.

iv) It has been proposed to introduce a system of statutory licensing to ensure that the public has access to musical works over the FM Radio and Television networks and at the same time the owners of copyright works are also not subject to any disadvantages.

v) It is proposed to amend existing provisions to provide compulsory license through Copyright Board to publish or communicate to the public such work or translation where the author is dead or unknown or cannot be traced or the owner of the copyright work in such work cannot be found.

Other amendments

i) Amendments are being made for incidental changes, which are required in the context of digital technology to cover “storing of copyrights material by electronic means’.

ii) Amendments in relation to operational facilities, such as registration of Copyright Societies by providing that only authors can register and procedure for tariff schemes of copyright societies and commercial distinction between assignment and licence; and

iii) Enforcement of rights such as border measures, disposal of infringing copies and presumption of authorship under civil remedies.

Background :

In order to formulate the proposed amendments and to carry out wide-ranging consultations with all stakeholders, the Ministry of Human Resource Development had constituted a 30-member Core Group in the year 2005 under the Chairmanship of the Education Secretary with representatives of the other Ministries/Departments concerned with the subject and other key stakeholders like copyright-industry organizations, stakeholders, subject experts and Institutions of repute in related fields. The Core Group had deliberations at length in five sessions to cover all the provisions of the existing statute and made recommendations with regard to the proposed amendments. The Core Group then created a Drafting Committee to draw up the text of the proposed amendments and to fine-tune the recommendations of the Core Group.”

Shamnad Basheer

Shamnad Basheer

Prof (Dr) Shamnad Basheer founded SpicyIP in 2005. He is currently the Honorary Research Chair of IP Law at Nirma University and a visiting professor of law at the National Law School (NLS), Bangalore. He is also the Founder of IDIA, a project to train underprivileged students for admissions to the leading law schools. He served for two years as an expert on the IP global advisory council (GAC) of the World Economic Forum (WEF). In 2015, he received the Infosys Prize in Humanities in 2015 for his work on legal education and on democratising the discourse around intellectual property law and policy. The jury was headed by Nobel laureate, Prof Amartya Sen. Professional History: After graduating from the NLS, Bangalore Professor Basheer joinedAnand and Anand, one of India’s leading IP firms. He went on to head their telecommunication and technology practice and was rated by the IFLR as a leading technology lawyer. He left for the University of Oxford to pursue post-graduate studies, completing the BCL, MPhil and DPhil as a Wellcome Trust scholar. His first academic appointment was at the George Washington University Law School, where he served as the Frank H Marks Visiting Associate Professor of IP Law. He then relocated to India in 2008 to take up the MHRD Chaired Professorship in IP Law at WB NUJS, a leading Indian law school. Prof Basheer has published widely and his articles have won awards, including those instituted by ATRIP and the Stanford Technology Law Review. He is consulted widely by the government, industry, international organisations and civil society on a variety of IP issues. He also serves on several government committees.

2 comments.

  1. AvatarAnonymous

    MR. SIBAL SEEMS TO BE ON PAY ROLL OF IMI AND SEEMS TO HAVE GOTTEN HEFTY COMMISSION FOR INTRODUCING SUCH AMENDMENTS

    CAN ANY PPL SOCIETY DISPLAY ON THIER WEBSITE THAT THEY HAVE REIMBURSED ANY AUTHOR AND BY HOW MUCH

    THIS MOVE BY INVOLVING RETRO CINEMATOGRAPH SONGS WILL ONLY ADD TO KITTY OF IMI AND ITS EMPLOYEES AND IT SHOULD BE MADE PUBLIC BY IMI WHAT SALARY AND EXPENSE THEY ARE PAYING TO ITS MANAGEMENT

    Reply
  2. AvatarShamnad Basheer

    A colleague of mine who wishes to remain anonymous, is concerned about the recent amendments and the term extension envisaged therein and writes:

    “There is something about the Parliament’s privilege which does not allow the people to see something before their representatives can see them first. Talk about inverted logic!

    The Copyright Term Extension is a dangerous proposition even if it is for photographs and possibly for those producers of cinematograph films who acquiesce to making the Director of the film a co-author.

    Any extension to copyright term flies in the face of any economic logic and just enhances the scope for economic rent. It was wrong to extend it to 60 years in 1994 and it is wrong now, the UK and US laws need not always be the right thing.
    The Director of the film should be co-author irrespective of whether the producer opts so.

    Even stating the conformity with WCT and WPPT is dangerous because rest assured now the ‘trading partners’ will be breathing heavily down our neck to ‘encourage’ us to join the treaties not even giving us time to test the provisions in our own setting over the next few years.

    When will we ever learn?”

    Reply

Leave a Reply

Your email address will not be published.